Sunday 25 December 2011

Various - Maybe This Christmas (2002) (@320)













Happy holidays to all of you. Today it's also the 5th birthday of this blog. Thank you all for your support.

Tracklisting:
01-Phantom Planet - Winter Wonderland
02-Ron Sexsmith - Maybe This Christmas
03-Coldplay - Have Yourself A Merry Little Christmas
04-Vanessa Carlton - Greensleeves
05-Bright Eyes - Blue Christmas
06-Sence Field - Happy Christmas (War Is Over)
07-Jimmy Eat World - 12/23/95
08-Jack Johnson - Rudolph The Red-Nosed Reindeer
09-Barenaked Ladies Feat. Sarah McLachlan - God Rest Ye Merry Gentlemen
10-Ben Folds - Bizarre Christmas Incident
11-Dan Wilson - What A Year For A New Year
12-Neil Finn - Sweet Secret Peace
13-Loreena McKennitt - Snow

review link: here

download link: here (mirrorcreator) and here (rapidshare)

Saturday 17 December 2011

Buzzcocks - Spiral Scratch (12'') (1977) (@320)













Following the previous post's subject, this is about the reunion of the Buzzcocks with Howard Devoto for two special shows as part of the Buzzcocks "Back to Front" tour on the 25th and 26th of May 2012 in Manchester and London. Their sole release while Devoto was in the group was the EP that is offered today; an inflammable material that captured the sign of the times in the most natural way and at the same time a fundamental independent release since it was the group itself that manufactured, released and distributed it making it sensible for any group after them to work outside the established record industry.

review link: here

download link: here (mirrorcreator) or here (rapidshare)

Monday 12 December 2011

Stone Roses - Fools Gold 9.53 (12'') (1989) (@320)












Last year, it was the reunion of the Pavement that was nominated (by me!) as the reunion of the year. This year it's a very tough competition. We have two groups, both coming from my beloved Manchester, both being among the leaders of the music movements they belong to.
The first one is the Stone Roses. Their reunion was announced in October and they've already booked two reunion concerts in Manchester at the end of June, followed by a world tour. They even plan to record new material together.













This was a brilliant opportunity to upload Fools Gold, a mythical single back from 1989. In a recent issue of Mojo (September 2011), Noel Gallagher describes brilliantly what Fools Gold is all about: "Everything comes together for a brief moment. The Stone Roses get into one of the greatest grooves in the history of music as a result. You get records that could have been recorded yesterday and this is one of them. It's also the sound of a band peaking: they never did anything that matched it. This is 20 years old and it still sounds like the future. (...) The amazing thing about it is: There's barely a tune in it. Try and play it on an acoustic guitar. There is no song. It's a bass line. It's alchemy. I can imagine how it would have happened. Someone would have started playing something and someone else would have said, "Do that again." It's an unbelievable piece of music. How can it have never dated, when it was so of its time?"

info link: here

download link: here (mirrorcreator) or here (rapidshare)

Sunday 4 December 2011

Bert Jansch - The Black Swan (2006) (@320)















Here's another post for Bert Jansch. In the previous post his first album was offered, this one is his last. Enjoy.

review link: here

download link: here (mirrorcreator) or here (rapidshare)

Sunday 27 November 2011

Bert Jansch - Bert Jansch (1965) (@320)












Let's start a tribute to Bert Jansch who left us recently. A musician of tremendous importance but, sadly, relatively unknown outside the folk circles although his influence on rock artists is huge. Donovan has covered Do You Hear Me Now, Bob Dylan was based on Jansch's cover on the traditional Nottamun Town to create Masters of War, while Jimmy Page did the same with Blackwaterside and Waggoner's Lad to create Black Mountain Side and Gallows Pole (Nottamun Town, Blackwaterside and Waggoner's Lad can be found in Jack Orion lp, posted here some years ago). Jansch's influence is also apparent on Paul Simon, Nick Drake, Neil Young, Johnny Marr, Devendra Banhart, Fleet Foxes, to name just a few, while Jansch's major influence was Davy Graham, the subject of an older post as well. In addition, every "best guitarists ever" list that respects itself includes Jansch; his ability on acoustic guitar was so unique that Neil Young has said that what Hendrix was to the electric guitar, Jansch was to the acoustic. And of course we shouldn't forget Pentangle, one of the greatest folk acts of the 1960s to which Jansch was a member, for whom there will be a post and an upload as well. The album offered here is Jansch's first; his last is also on the way.

Further reading: Bert Jansch - a modest man with an immodest talent by Pete Paphides in Guardian

Further viewing: Acoustic Routes, a relevant BBC documentary (in 8 parts)


review link: here

download link: here (mirrorcreator) and here (rapidshare)

Sunday 20 November 2011

Sleater -Kinney - The Hot Rock (1999) (@320)















This post is a good reminder of an era, not many years ago, when an indie album was expected in much anticipation, when an indie album was full of fuzzing guitars and songs were according to the definition of the rock sound. It is also a good reminder of my beloved Sleater-Kinney, now that Carrie Brownstein and Janet Weiss (along with Mary Timony from Helium and Rebecca Cole from Minders) formed the female super group Wild Flag. Their first release is highly recommended.

review link: here

download link: here (mirrorcreator) or here (rapidshare)

Sunday 6 November 2011

R.E.M. - Live in Athens, Greece, Oct. 5, 2008 (@320)

Thank you for the great songs and the brilliant albums, for the consistency, for the memories. Thank you Peter, Mike, Michael and Bill.

Tracklisting:
01-Living Well Is The Best Revenge
02-What's The Frequency, Kenneth
03-Drive
04-Man-Sized Wreath
05-Ignoreland
06-Bad Day
07-Hollowman
08-Electrolite
09-(Don't Go Back To) Rockville (vocals by Mike Mills)
10-The Great Beyond
11-The One I Love
12-She Just Wants To Be
13-Losing My Religion
14-Let Me In
15-Horse To Water
16-Orange Crush
17-Imitation Of Life
18-Supernatural Superserious
19-It's The End Of The World As We Know It
20-Man On The Moon

download link: here (mirrorcreator) and here (rapidshare)

Friday 16 September 2011

Gil Scott-Heron - Pieces Of A Man (1971) (@320)












Another post prepared months ago... There isn't much to write about Scott-Heron rather than to copy the wiki paragraph about his tremendous infulence:

"The music of Scott-Heron's work during the 1970s influenced and helped engender later African-American music genres such as hip hop and neo soul. He has been described by music writers as "the godfather of rap" and "the black Bob Dylan". Chicago Tribune writer Greg Kot comments on Scott-Heron's collaborative work with Jackson, "Together they crafted jazz-influenced soul and funk that brought new depth and political consciousness to ‘70s music alongside Marvin Gaye and Stevie Wonder. In classic albums such as 'Winter in America' and 'From South Africa to South Carolina,' Scott-Heron took the news of the day and transformed it into social commentary, wicked satire, and proto-rap anthems. He updated his dispatches from the front lines of the inner city on tour, improvising lyrics with an improvisational daring that matched the jazz-soul swirl of the music". Of Scott-Heron's influence on hip hop, Kot writes that he "presag[ed] hip-hop and infus[ed] soul and jazz with poetry, humor and pointed political commentary". Ben Sisario of The New York Times writes that "He preferred to call himself a "bluesologist," drawing on the traditions of blues, jazz and Harlem renaissance poetics". Tris McCall of The Star-Ledger writes that "The arrangements on Gil Scott-Heron's early recordings were consistent with the conventions of jazz poetry – the movement that sought to bring the spontaneity of live performance to the reading of verse". On his influence, a music writer later noted that "Scott-Heron's unique proto-rap style influenced a generation of hip-hop artists". The Washington Post wrote that "Scott-Heron's work presaged not only conscious rap and poetry slams, but also acid jazz, particularly during his rewarding collaboration with composer-keyboardist-flutist Brian Jackson in the mid- and late '70s." The Observer's Sean O'Hagan discussed the significance of Scott-Heron's music with Brian Jackson, stating: "Together throughout the 1970s, Scott-Heron and Jackson made music that reflected the turbulence, uncertainty and increasing pessimism of the times, merging the soul and jazz traditions and drawing on an oral poetry tradition that reached back to the blues and forward to hip-hop. The music sounded by turns angry, defiant and regretful while Scott-Heron's lyrics possessed a satirical edge that set them apart from the militant soul of contemporaries such as Marvin Gaye and Curtis Mayfield."
Will Layman of PopMatters writes of the significance of Scott-Heron's early musical work, "In the early 1970s, Gil Scott-Heron popped onto the scene as a soul poet with jazz leanings; not just another Bill Withers, but a political voice with a poet’s skill. His spoken-voice work had punch and topicality. 'The Revolution Will Not Be Televised' and 'Johannesburg' were calls to action: Stokely Carmichael if he’d had the groove of Ray Charles. 'The Bottle' was a poignant story of the streets: Richard Wright as sung by a husky-voiced Marvin Gaye. To paraphrase Chuck D, Gil Scott-Heron’s music was a kind of CNN for black neighborhoods, prefiguring hip-hop by several years. It grew from the Last Poets, but it also had the funky swing of Horace Silver or Herbie Hancock—or Otis Redding. Pieces of a Man and Winter in America (collaborations with Brian Jackson) were classics beyond category". Scott-Heron's influence over hip-hop is primarily exemplified by his definitive single "The Revolution Will Not Be Televised," sentiments from which have been explored by various rappers, including Aesop Rock, Talib Kweli and Common. In addition to his vocal style, Scott-Heron's indirect contributions to rap music extend to his and co-producer Brian Jackson's compositions, which have been sampled by various hip-hop artists. "We Almost Lost Detroit" has been sampled by Brand Nubian member Grand Puba ("Keep On"), Native Tongues duo Black Star ("Brown Skin Lady"), and underground notable MF DOOM ("Camphor"). Scott-Heron's 1980 song "A Legend in His Own Mind" was sampled on Mos Def's "Mr. Nigga". The opening lyrics from his 1978 recording "Angel Dust" were appropriated by rapper RBX on the 1996 song "Blunt Time" by Dr. Dre. CeCe Peniston's 2000 song "My Boo" samples Scott-Heron's 1974 recording "The Bottle".
Among the most notable is rapper/producer Kanye West, who has sampled Scott-Heron and Jackson's "Home is Where the Hatred Is" and "We Almost Lost Detroit" for his song "My Way Home" and the single "The People," respectively, both of which are collaborative efforts between West and Common. Scott-Heron, in turn, has acknowledged West's contributions, sampling the latter's 2007 single "Flashing Lights" on his latest album, 2010's I'm New Here. Scott-Heron admitted ambivalence about his association with rap, remarking in 2010 in an interview for the Daily Swarm, "I don't know if I can take the blame for it", referring to rap music. He preferred the moniker of "bluesologist". Referring to reviews of his last album and references to him as the "godfather of rap", he said, "It’s something that’s aimed at the kids." He added, "I have kids, so I listen to it. But I would not say it’s aimed at me. I listen to the jazz station.”

review link: here

download link: here (mirrorcreator) and here (rapidshare)

Friday 2 September 2011

Original Cast - Don't Bother Me, I Can't Cope (1972) (@320)












I know, I know. I've been missing for too long again. Things got tough lately, so I wasn't in the mood for my labour of love here. Nevertheless, since I have prepared some uploads I'll post them, even if their subject is a little bit dated.
The first one is about Jerry Ragovoy, who left us recently. He composed Time Is on My Side, Cry Baby, Piece of My Heart, Try (Just a Little Bit Harder) among others; these songs alone are more than enough to earn him a prominent place in music history.
The obvious upload for Ragovoy would be a Janis Joplin album, most obviously Pearl, where five of his songs are interpreted in the most unique way. Nevertheless, trying once more to avoid obvious selections, I chose the brilliant original cast of Don't Bother Me I Can't Cope, the Broadway play that was nominated for four Tony awards in 1972, with the two being for Best Musical and Best Original Score. The production was by Ragovoy, earning him the Grammy Award as producer on Best Score from an Original Cast Show Album in 1973. Enjoy.

Jerry Ragovoy obituary by Guardian: here

Brilliant (as always) Back to mono article for Ragovoy way back from 2008: here

download link: here (mirrorcreator) and here (rapidshare)

Tuesday 5 July 2011

Various - Bob Dylan's Theme Time Radio Hour: Season 1, Ep.10: Summer and Season 3, Ep. 19: Happiness


















These two uploads were requested by my fellow blogger David, the famous metalbastard. Since in the previous TTRH post, a broadcast from season 2 was uploaded, I chose to upload one broadcast for each of the remaining seasons. Furthermore, the themes chosen were "Summer" (an obvious selection amidst a mild heatwave) and "Happiness" (for which all of us are in its constant pursuit).

Tracklisting for "Summer":
Summertime — Billy Stewart (1966)
Summertime Blues — Eddie Cochran (1958)
(Love Is Like A) Heat Wave — Martha & the Vandellas (1963)
Heat Wave — Sol K. Bright and His Hollywaiians (1935)
Sunny — Bobby Hebb (1966)
Juneteenth Jamboree — Fatso Bentley (?)
So Nice — Astrud Gilberto and Walter Wanderley (1966)
Youth of 1000 Summers — Van Morrison (1990)
Hot Weather Blues — Mr. Sad Head (1951)
Summer in the City — Lovin’ Spoonful (1966)
Too Hot — Prince Buster (1967)
In the Summertime — Mungo Jerry (1970)
Ice Cream Man — John Brim (1953)
Fourth of July — Dave Alvin (1994)
Hot Fun in the Summertime — Sly & the Family Stone (1969)

Tracklisting for "Happiness":
Feelin' High and Happy - Hot Lips Page (1938)
Love and Happiness - Al Green (1972)
(I Wanna Go Where You Go) Then I'll Be Happy - Jimmy Heap and The Melody Masters
Happy Home - Elmore James (1955)
Happy - The Rolling Stones (1972)
I Want To Be Happy - Ella Fitzgerald with Chick Webb & His Orchestra (1937)
Happy - Jenny Lewis with The Watson Twins (2006)
You've Made Me So Very Happy - Brenda Holloway (1967)
Happy Rovin' Cowboy - The Sons of the Pioneers (1935–1936)
Everybody's Happy Nowadays - Buzzcocks (1979)
Smile - Judy Garland (1963) - [music by Charlie Chaplin, from "Modern Times"]
Happy Trails - Roy Rogers & Dale Evans with Frank Worth & His Orchestra (1950)

download link for "Summer": here (link removed)
download link for "Happiness": here (link removed)

Athens, June 29, 2011: Flirting with death

Quoting from exandas, a text written by Yorgos Avgeropoulos. A must read (and watch). All videos and photos were shot during June, 29, 2001 in Athens, during the mostly peaceful protests that began in May, 25 and take place everyday in the centre of Athens (Syntagma square opposite the Greek Parliament) and in many other Greek cities as well.

"Flirting with death

I have covered conflicts of protestors and police in various places around the world outside Greece, such as in Argentina, Italy, Bolivia, and Mexico. Especially in Mexico the police, as many know, are considered savage, untrained and corrupt. However, what I lived through and recorded along with my co-workers yesterday Wednesday 29/6 at Syntagma, surpasses all limits in savagery. The Greek police rightly, and by a wide margin, gets the prize for barbarity. A barbarity which has no relation to repression but which was a constant flirt with death.


It is a miracle that we did not mourn any dead. And Mr. Papoutsis [the Minister of “Citizen Protection”] should light a candle to the God he believes in, since it is only due to his good luck that he is not apologising today for any dead.

The plan to clear Syntagma Square during the last two days, was a violent attack, an “onslaught” as it was put aptly by Ayman, a Spanish journalist who works for Al Jazeera. An onslaught against everyone and anyone to the death. “But what kind of police is this that you have”?, he asked me indignantly. You are a member of the European Union, at least for now” he said to me with a meaningful smile.



Let’s take things from the beginning. At about 13.30 there are a lot of people gathered in front of the Parliament. They are not hood-wearers. They are not throwing rocks. They are elderly, young, women, men, students, workers, unemployed who are shouting slogans, who are making the familiar hand gesture to the Parliament, and the most hot-blooded are right in front---at the most they launched insults and shook the railings which were set up in front of the monument of the Unknown Soldier. Nothing important in other words which would justify what would follow. All of a sudden, from everywhere, from right, from left, and from the centre, a general attack of the police forces began which pushed the protestors towards the steps of Syntagma Square. Imagine thousands of people running frantically towards a narrow opening of a width of not more than 10 metres. From behind them the riot police throw stun and flash grenades into the crowd and teargas, creating panic. People are burned by the flames, drowned in the tear gas, they can’t see in front of them, and they start to step on one another and to tumble down the steps. People faint, others are stepped on in the blood. Despite all this, the police to do not leave. They hit anyone they find in front of them with their clubs, people in other words who are running to save themselves, stepping on one another.



What follows is well-known. Beyond the action of the agents provocateurs, which has been recorded on video and in photographs which have been released and which will continue to be released in the following days, beyond the action of the troublemakers who I despise and totally disagree with, it is now easy for a rock to be thrown from anyone’s hand, anyone who has been hit, chemically sprayed, who is unemployed, homeless---yes there are now neo-homeless---and every day becomes poorer without seeing a way out anywhere.



I won’t hide from you that I was scared watching a savagery without precedence taking place before my eyes. I felt the same fear that I have felt in tough regions of the planet. I felt the fear of death. As I thought it was my imagination and that I was unaccustomed to working in Greece---I hadn’t worked in my country since 2000—I asked my old colleagues if they had ever lived something like this before here. They answered that they had never experienced anything like it.




(Comment on video: The officer has been put repeating that "no cs gas was thrown in metro stations", were the videos in between were shot in Syntagma and Acropolis metro stations.)


Therefore, as a rational person, I would like the Ministry of “Citizen Protection” (I put it in quotation marks as the title reminds me of the Ministry of Love in 1984 by Orwell) to answer the following question:

1. Who gave the command for the general attack at 13.30 and why? Whose idea was it to order the police forces to hunt down a panicked crowd stepping on one another on the steps, to throw stun and flash grenades and tear gas, to beat indiscriminately, taking a 50-50 risk that someone among the thousands would leave their last breath in the square?

2. Why didn’t the police respect the medical centre of Syntagma Square? Professional doctors, pulmonologists and others, all of them volunteers, were treating those injured during the entire duration of the attacks. They were not “hood-wearers”, they were doctors. They shouted at the police “this is a medical centre” but the police paid no attention. Fanatically, the police threw tear gas and beat them. As one doctor said to us “These things don’t even happen in war. Even in war, there is a truce, so that the wounded can be picked up and treated.” The doctors gathered everything up in haste and set up the medical centre down in the metro, but they didn’t escape the chemicals which were thrown in down there either.

3. Why were the teachers at the Teaching Federation of Greece beaten? Were they hood-wearers too? I don’t think so. After the riot police threw tear gas into the entrance of their building at 15 Xenofondos Street, they threw rocks (!) and hit teachers on the head using their clubs upside down, hitting with the handle, according to their testimonies. Three were wounded: one with broken ribs, one with head injuries, and one with light injuries on his arm. The teachers said: “When a society abuses its teachers, it can’t go any lower”.

4. What was the logic behind the police using chemical sprays and beating people in the greengrocers and souvlaki restaurants of Monastiraki and Plaka, terrorising the customers and the tourists?

5. And finally, something personal for Mr. Papoutsis: Why did you hit me? Not you, in other words, but one of the men of your police. Because however I don’t know the “anonymous” riot policeman, but I do know you, I would truly like a response. The situation was relatively calm at that time and, with my camera, I was recording a riot squad which was going up towards the Parliament, when one of them left his squad, came up to me, and stood in front of me, a breath away. I stopped shooting and lowered the camera. He looked at me in the eyes. I said to him, what do you want, and his response was to hit me with his club, so I could remember this day. People started to shout: “Hey, you’re hitting Avgeropoulos!!?” I didn’t react at all and he went away. If I had reacted we might be talking in the police department where you would be apologising for the.... “misunderstanding”.


    By the way: in Oaxaca, when I was cornered along with my cameraman by Mexican police, who as I said before, are considered savage, untrained and corrupt, I shouted “Journalist” and they didn’t do anything to me. In my own country I was beaten for the first time.


*Yorgos Avgeropoulos (Greek: Γιώργος Αυγερόπουλος; born 1971) is a Greek journalist and documentary filmmaker. He is the creator of the Greek awarded documentaries series "Exandas". He was born in Athens in 1971. He has worked for Greek television stations covering news stories in Greece and major events around the world. He has, also, worked as a war correspondent in the wars in Bosnia, Croatia, Iraq, Afghanistan, Kosovo and Palestine. In 2000, he created the documentary series "Exandas" (meaning sextant) which has won many awards in film festivals and documentary festivals in Greece and around the world and is currently broadcasted on Greek public television."

Sunday 26 June 2011

Bob Dylan - Folk Rogue 1964-1965













It's always tough when trying to have a post about artists and groups with tremendous importance such as Dylan since I believe that whoever is seriously interested in music will own at least 12-15 Dylan albums. So, avoiding to upload something from his official discography, here is one of the very many Dylan bootlegs circulating among fans, considered by many as one of the best ones both in sound quality and in recorded material.

review link: here

download link: here (link removed)

Saturday 18 June 2011

Various - Bob Dylan's Theme Time Radio Hour, Season 2, Ep.60 (aired December 5, 2007): Party















Bob Dylan turned 70 on May 24. For the most important composer of the second half of the 20th century we're celebrating his birthday with a party. So, for the first of the three posts dedicated to him, I uploaded one of his broadcasts for the Theme Time Radio Hour, with the theme being... "Party"

Tracklisting:
All Tomorrow’s Parties — Velvet Underground (1967)
Ain’t Nothin’ But A House Party — Showstoppers (1968)
Hot Barbeque — Brother Jack McDuff (1965)
Let’s Have A Party — Wanda Jackson (1958)
Let’s Party — Jesse Allen (1952)
Baby Gotta Party — Don & Dewey (1957)
It’s My Party — Lesley Gore (1963)
Soul Bossa Nova — Quincy Jones & His Orchestra feat. Rahsaan Roland Kirk (1962)
Party Doll — Buddy Knox (1957)
Caldonia’s Party — Smiley Lewis (1953)
I Paid For The Party — The Enchanters (1965)
Party Lights — Claudine Clark (1962)
Carnival Time — Al Johnson (1960)
House Party — Louis Jordan & His Tympany Five (1953)
The Party — Dolly Parton & Porter Wagoner (1968)
After The Bacchanal — Lord Beginner (1939)
Party Girl — Elvis Costello & The Attractions (1979)
The Party’s Over — Blossom Dearie (1959)

download link: here (link removed due to a relevant request)

Άκης Φιλιός - Φίλε ΜΑΤατζή

Saturday 11 June 2011

OST - I Was a Teenage Zombie (1987) (@320)













"There are all kinds of emergencies out there that we can prepare for. Take a zombie apocalypse for example. That’s right, I said z-o-m-b-i-e a-p-o-c-a-l-y-p-s-e. You may laugh now, but when it happens you’ll be happy you read this, and hey, maybe you’ll even learn a thing or two about how to prepare for a real emergency." This is the first paragraph of a recent article of the Centers of Disease Controls and Prevention (CDC) in its attempt its guidelines for the upcoming US cyclones as well as for a possible future pandemic to reach to a wider percentage of people than usual. The attempt was very successful; during the first few days CDC had 60,000 hits, while the normal was around 3,000.
So, this was a very good chance to upload something to add my bit to CDC's effort. I though that the soundtrack of I Was a Teenage Zombie, a brilliant cult splatter comedy with an equally enjoyable soundtrack, was the wisest choice. Enjoy.



Tracklisting:
A1-Fleshtones - I Was A Teenage Zombie
A2-Del Fuegos - Have You Forgotten
A3-dB's - Neverland
A4-Dream Syndicate - Halloween
A5-Violent Femmes - Good Feeling
A6-Waitresses - I Know What Boys Like
B1-Smithereens - Time and Time Againhttp://www.blogger.com/img/blank.gif
B2-Los Lobos - Why Do You Do
B3-Alex Chilton - Stuff
B4-Ben Vaughn Group - Vibrato in the Grotto
B5-Bob Pfeifer - Nobody Knows Where Love Goes

movie review link: here

album review link: here

download link: here (mirrorcreator) and here (rapidshare)

Monday 6 June 2011

Saturday 28 May 2011

Guerilla Radio



It has to start somewhere It has to start sometime
What better place than here, what better time than now?

ALL HELL CAN'T STOP US NOW
ALL HELL CAN'T STOP US NOW

Various - Blue Moon: A Tribute To Manchester City













Manchester City is my favourite team fullstop. This season rewarded all us patient supporters during the many years of moderate performances which included the years of relegation, with the FA cup and with the third place in Premier League that qualified our team for the Champions League.
The offered upload is obviously aimed at the fellow supporters; I already know that the interest for this one will be very narrow. Even the quality of the music here (as with the vast majority of this particular genre), is low and full of sub-pub-rock samples, with the bright exception of Lord Fitzroy's brilliant track. Never mind, we're celebrating for Man City now.




download link: here (mirrorcreator) and here (rapidshare)

Tuesday 24 May 2011

Αγανακτισμένοι στο Σύνταγμα. Ραντεβού στις 25/5, στις 18.00 σε όλη την Ελλάδα








Για Αθήνα εδώ
Για Θεσσαλονίκη εδώ
Για Πάτρα εδώ
Απ' ότι έχω ψάξει ήδη οργανώνονται και σε άλλες πόλεις της Ελλάδας. Ψάξτε το
Update: Εδώ για όλη την Ελλάδα

Sunday 22 May 2011

Debtocracy



A documentary that tracks the evolution of global capitalism from the ’70s until today, considering the position of Greece in the global economy but also the traps of the so called “free market system”, such like… debt! It also explains “the concepts of pernicious and illegitimate debts of the Greek economy”, after talking to economists, journalists, intellectuals, politicians and other specialists from around the world such as David Harvey, Samir Amin, Kostas Lapavitsas, Gerald Ntimenil, Alain Badiou, The President of CADTM Eric Toussaint, the Argentine director Fernando Solanas, journalists as Avi Lewis (writer / director of the documentary The Take – The seizure), Jean Katrmer (Liberation), the Second World War Greek Veteran Manolis Glezos and the vice president of the German left party “Die Linke” Zara Vagkenknecht.

Aris Hadjistefanou and Katerina Kitidi, inform us of similar situations prevailed in some Latin American countries, such as Argentina and Ecuador, countries that also faced unbearable debt. Through shining descriptions and interesting analysis, we see the disastrous effects of the International Monetary Fund dominance in the living standards of those countries. The imposed austerity measures had as a result that whole populations confronted the nightmare of mass unemployment and poverty.

In Ecuador, however, the Socialist government of Rafael Correa, set up a Commission of Public Debt, as an alternative solution. A similar effort could begin in Greece, with dozens of international known intellectuals, such like the American linguist Noam Chomsky, signing in favour. Nevertheless, the Greek ruling party (PASOK) refuses to implement such a plan, while its leadership constantly has threatened with expulsion members who are against the IMF memorandum.

--------------------------------------------------------------------------------

Interview of Aris Hatzistefanou & Katerina Kitidi (as posted on owni.eu)

How has Debtocracy been received so far?

We had more than half a million views in less than a week, and are now reaching 700,000 views. Despite its success, the Greek media did not report a single word on it. When they saw that we had half a million views, they could not pretend it didn’t exist – some newspapers started to attack and discredit the documentary. So far not one TV Channel has mentioned Debtocracy, not even negatively. The day mainstream TV channels talk about us will be the last step towards victory.

In a nutshell, what is Debtocracy about?
















The journalists: Katerina Kitidi and Aris Hatzistefanou. It should be mentioned also that Hatzistefanou was presenting the counter-information broadcast called "Infowar", every Sunday on the Greek Radio Station, Sky 100.3 (Athens). The journalist was among the few who refused to sign wage cuts and for that reason he was fired. However, his broadcast stopped just a few weeks after announcing the release of Debtocracy. There are many similar examples of censored activists in Greece.

We argue that the current situation is part of a world-wide economic problem, as well as a eurozone issue. Because the eurozone is divided into the core and periphery, we are condemned to suffer from losses of competitiveness in the global economy, and we cannot devalue our currency.

What happened cannot be all blamed on the “PIIGS”- as they call us – although we have our share of the blame. The problem is that Greece created a welfare state without taxing more companies. So the deficit increased. We also have a problem of corruption, but those are details. Even if all politicians were put in prison, the crisis would remain unsolved.

We also argue Germany is not a model to follow – they freezed salaries for a whole decade! That is not a sustainable model for all of Europe.

Some people claim your documentary is not balanced. How would you respond to these claims?

We never meant to be balanced, quite the opposite, since our counterparts had enough time and media space to put forward their views. And they are not balanced either.

Critics also argue Ecuador is not an accurate example, because it’s a developing country and has oil. But oil only represent 25% of their GDP. Besides, we have our own oil: tourism. You could take any country other than Ecuador, and people would still tell you that these are two different countries, even though we face a similar situation with a growing debt and a similar “solutions” put forward by the IMF. In the end, they are just trying to divert the discussion to avoid talking about the main topic of the movie: the need for an audit commission.

In your opinion, what should Greece do now?

It’s clear that Greece cannot repay its debt – whether legally or not, regardless of the interest rate. 350 billions dollars doesn’t just grow on trees (and ironically, the market was the first to reach that conclusion). The government keeps on saying they will find the money, but the market is not stupid. The bailout plan designed by the European Union and the IMF was not about rescuing Greece – it was about saving the German and French banks which would collapse if Greece went bankrupt.

So our point of view is that we should not expect anything from them. It will be too late if we wait for them to take the necessary measures. We need to find the solutions ourselves and create initiatives.

Considering that, first we have to carry out the debt audit in order to distinguish what is legal or illegal. There are indications that a huge amount of our sovereign debt is pernicious or illegal. But only an audit commission could determine and prove this. This is why we completely support this proposal. However, it should be driven democratically and transparently, and not by parliamentarians.

We are more radical than others advancing this proposal, because we think we should stop paying the debt, exit the eurozone, and nationalize the banking system. That is not something easy to get support for as it may seem too radical – but even some politicians and economists from the center are beginning to consider it.

Nationalizing the banks may sound like a communist idea but the problem is so serious and we have to protect the country. If we exit the eurozone the banking system will most likely collapse, and thus we have to protect it from a capital flight out of the country.

Are you linked to other initiatives of this type in Europe?

We were contacted by a number of groups and were asked to put subtitles on our film. At the moment, we are working on releasing it in several languages. We’re not collaborating with anyone per se, but we’ve released everything under a creative commons license (so that anyone can use our footage).

How do you envision the future of Greece?

Last year there was a lot of unrest against the bailout of the country, but Greek citizens are too disheartened now. In the past ten years, the opposition hasn’t come up with a decent proposal that could muster popular support. Some people believe that the unrest was appeased when the EU introduced interest rates in the bailout package. But I feel it is still growing underneath our feet. And it may be revived at any time.

It’s worth noticing that no political party has control over the protest movements, and no one is able to provide guidance to these feelings. So I’m afraid it will probably erupt suddenly and in a violent way, even though we cannot predict when and why.

What’s next for Debtocracy?

As people were donating money, even once we collected enough funds for the movie, we decided to create a special account for them to deposit their donations, which we will return if we don’t come up with a detailed and transparent project within the next six months.

We didn’t expect such a success with so little means. It wasn’t easy, but we have proved to ourselves that big things can be done with few resources – especially when you have the support of talented people.

The Internet helped us a lot, but we can now see its limits. Though our documentary was viewed by nearly one million people, we must still reach an audience that lacks an internet connection, especially outside of Athens. We plan to distribute DVDs and organize projections in theaters and cinemas.With the Internet alone, our approach would end up being elitist.

We definitely want to go further, and address the taboos the Greek mainstream media dare not to report. If people don’t take part in the production and release of information, they’ll never find someone within big media corporations willing to speak on their behalf.

Director / Writer: Katerina Kitidi, Aris Hadjistefanou
Editor: Leonidas Vatikiotis
Illustration / Animation: Magda Plevraki, BitsnBytes
Music: Giannis Angelakas
Editor: Aris Triantafillou
Video: Thanassis Bag, Julia Reinecke
Cinematography: Aris Hadjistefanou
Contributors: Michael Alimani, Angeliki Gaidatzi, Fanny Gaidatzi, Julia killer, Margarita Tsomou
Producer: Costas Efimeros
2011 – BitsnBytes.gr

Saturday 21 May 2011

Big Audio Dynamite - No. 10, Upping St. (1986) (@320)












There is a strange feeling, like meeting old friends of yours that you haven’t seen for quite a while, when a reunion of a beloved group takes place; this was indeed the case with B.A.D. Mick Jones’ and his clan’s delightful cross-genre hybrid was the reason that I (among many with a strict UK punk background) started enriching my collection with funk and dance essentials. Finally, since it was impossible for me to be present to one of their reunion concerts, I need to express my envy for those lucky bastards who were.

review link: here

download link: here (mirrorcreator) or here (rapidshare)

Friday 6 May 2011

Various Artists - Workers Unite! (@320)














I had an extremely heavy occupational load during the last month so it was impossible to follow the more or less standard weekly updates. As a result, I missed the May Day update, which has turned into a tradition in this blog. Last year it was a compilation that was dealing with Joe Hill, while two years ago it was the compilation Songs of the Industrial Workers of the World. There was of course the first May Day post of this blog, which although it didn’t offer any sound files for downloading, it did offer very interesting articles about the history and the significance of the day. So, in order not to destroy such a tradition, I decided to upload, even with some days of delay, a home-made compilation with songs dealing strictly with labour issues. Unions, unemployment, strikes, tedious jobs, unfair wages, workers’ dignity vs. bosses' greediness are all subjects of (at least to my opinion) an extremely powerful array of songs.
This year we have to honour the public workers of Wisconsin, who, against all odds, are fighting against an unfair, dramatic cut back of their rights and wages. Mr. Scott Walker, the man behind the idea of the cut backs, is one more link in the long chain of governors who realised the power of the people extremely late and only when he decided to stand against them. During the demonstrations, new songs have been added to the marvellous labour songbook; Dropkick Murphys’ Take' Em Down, which has become the anthem of the strikers of Wisconsin and IfIhadahifi’s (a name reminiscent of the classic If I Had A Hammer) brilliant Imperial Walker. The latter can be bought online and all proceeds will go (copying from their page) "to Russ Feingold's new Progressives United PAC. Progressives United was formed to take on the ever-growing influence of corporate America in our political process, as further empowered by the Supreme Court's erroneous "Citizens United" decision. Nowhere in the country right now is that influence felt more dramatically than in Wisconsin, where the Koch Brothers currently work in tandem with Governor Scott Walker to bust public sector unions." I do hope that all of you who will download this compilation will go just right after to buy the Imperial Walker.





01-Judy Collins - Bread & Roses (wiki)
02-Kinks - Dead End Street (wiki, lyrics)
03-White Stripes - The Big Three Killed My Baby (wiki, lyrics)
04-Bob Dylan - Maggie's Farm (wiki, lyrics)
05-Kinsgston Trio - M.T.A. (wiki, lyrics)
06-Billy Bragg - There Is Power In A Union (lyrics)
07-Dead Kennedys - Take This Job And Shove It (lyrics)
08-Bob Smith's Ideal Band - The Red Flag (wiki)
09-Ewan Mac Coll acc Peggy Seeger - Fourpence A Day (lyrics)
10-Enemy - Away From Here (lyrics)
11-Almanac Singers - Which Side Are You On (wiki, lyrics)
12-Steeleye Span - Blackleg Miner (wiki, lyrics)
13-R.E.M. - Finest Worksong (lyrics)
14-The Nightwatchman - Union Song (lyrics)
15-Chelsea - Right To Work (lyrics)
16-Almanac Singers - Union Maid (wiki, lyrics)
17-Mekons - Abernant 1984-5 (wiki, lyrics)
18-Ewan Mac Coll acc Peggy Seeger - The Coal-Owner And The Pitman's Wife (lyrics)
19-Bruce Springsteen - Johnny 99 (wiki, lyrics)
20-Dick Gaughan - Worker's Song (lyrics)
21-Clash - Career Opportunities (wiki, lyrics)
22-Housemartins - Me And The Farmer (lyrics)
23-Chumbawamba - Coal Not Dole (wiki, lyrics)
24-John Lennon - Working Class Hero (wiki, lyrics)
25-Almanac Singers - Talking Union (lyrics)
26-Bruce Springsteen - John Henry (lyrics)
27-Gene Autry - The Death Of Mother Jones (wiki, lyrics)
28-Woody Guthrie - Going Down The Road Feeling Bad (lyrics)
29-Agathonas Iakovidis & Katerina Tsiridou - Fabrikes (lyrics)
30-Pete Seeger - Solidarity Forever (wiki, lyrics)

Hope you equally enjoy it and be inspired by this; I also hope to get your suggestions for next year’s May Day, for which I'll try to post on time :)

download link: here (mirrorcreator) and here (rapidshare)

PS I just realised that the Dropkick Murphys have covered M.T.A., Which Side Are You On and Worker's Song from the above list. Well done Murphys...

Sunday 3 April 2011

OST - Natural Born Killers (1994) (@320)












I felt very happy that Trent Reznor, a hero of my late-teens, won the Oscar (along with Atticus Ross) for the original score of Social Network. It was very bizarre though, to see his brutal presence striving to fit in a tuxedo.
Today's upload is the soundtrack of Natural Born Killers which was produced and compiled by Reznor back in 1994. His stunning work though, deserved to be heard in a much better film since I still consider N.B.K. as one of the worst movies ever. Totally appalling, morally questionable (to say the least) was the result of the combination of Oliver Stone's immoderate ambition, shallow swank, strong belief of self-importance, confused ethics and artistic mumbo jumbo, it easily wins the title of the utter nonsense. After all I can't think of another movie which I rate with zero, where its soundtrack takes ten out of ten!

Tracklisting:
01-Leonard Cohen - Waiting For The Miracle (edit)
02-L7 - Shitlist
03-Dan Zanes - Moon Over Greene County (edit)
04-Patti Smith - Rock 'N' Roll Nigger (Flood remix)
05-Cowboy Junkies - Sweet Jane (edit)
06-Bob Dylan - You Belong To Me
07-Duane Eddy - The Trembler (edit)
08-Nine Inche Nails - Burn
09-BB Tone Brian Berdan feat. Robert Downey Jr. - Route 666
10-Remmy Ongala & Orchestre Super Matimila - Totally Hot
11-Patsy Cline - Back In Baby's Arms
12-Peter Gabriel and Nusrat Fateh Ali Khan - Taboo (edit)
13-Jane's Addiction and Diamanda Galas (based on 'Ted, Just Admit It...') - Sex Is Violent
14-A.O.S. - History Repeats Itself (edit)
15-Nine Inch Nails - Something I Can Never Have (edited and extended)
16-Russell Means - I Will Take You Home
17-The Hollywood Persuaders - Drums A Go-Go (edit)
18-Barry Adamson - Hungry Ants
19-Dr. Dre - The Day The Niggaz Took Over
20-Juliette Lewis - Born Bad
21-Sergio Cervetti - Fall Of The Rebel Angels (edit)
22-Lard - Forkboy
23-Budapest Philharmonic Orchestra - Batonga In Batongaville (edit)
24-Nine Inch Nails - A Warm Place (edit)
25-Nusrat Fateh Ali Khan - Allah, Mohammed, Char, Yaar
26-Leonard Cohen - The Future (edit)
27-Tha Dogg Pound - What Would U Do

review link: here

download link: here (mirrorcreator) and here (rapidshare)

Friday 25 March 2011

OST - When The Wind Blows (1986) (@320)












The whole world was holding its breath during the previous weeks; the nuclear threat in Japan was extremely serious. Fortunately, it seems that the worst have passed (?). What remains though, is that even in a totally organised country such as Japan a nuclear disaster can indeed take place. It is evident now that all these voices that and were deliberately downgraded all these years by the mainstream media for being "excessive screams from youngster with dreadlocks" were right, since it is the second time after 1986 that the "youngsters with dreadlocks" prove to be right: Nuclear energy cannot be used without a huge amount of risk. Even the strongest argument of those who insist in nuclear energy (all in all the same neo-liberals who run the markets and for whom "profit" being the one and only buzzword in their minds) is that the produced energy by the nuclear plants is cheap. Probably... in the short term. But if someone calculates in the produced energy's unit production cost (a) the cost of decommissioning of the nuclear power plants, who have a 30-year life, (b) the cost of abnormal situations such as in Chernobyl and Fukushima and (c) the cost for the safe disposal of the nuclear waste, the nuclear energy will become pretty expensive. I do not calculate of course the large number of human lives that each accident costs; the devastating ongoing effects of every nuclear accident on the health of some hundreds of thousands people is only an insignificant "detail" for the neo-liberals.

Today's upload is the soundtrack of When The Wind Blows, a strong animation film that presents the progressive physical effects of a nuclear assault on an old couple. The soundtrack's first side contains tracks from David Bowie, Hugh Cornwell, Genesis, the Squeeze and Paul Hardcastle, while side B contains music composed by Roger Waters.

You can also watch the whole movie here.

info link: here

download link: here (mirrocreator) and here (rapidshare)

Nikos Xidakis & Manolis Rasoulis - I Ekdikisi Tis Gyftias (1978) (@320)












Manolis Rasoulis, a unique Greek lyricist, passed away recently. A deliberate outcast, he always expressed himself in a direct and at the same time poetic (but not in its cheap form) way, he paved a new way for the Greek folk by handling a new ethos and meaning to it.
Today's upload, gives the chance to the 90% of the visitors of this blog (i.e. to the visitors outside Greece) to discover one of the best samples of Greek music, far away from the horrible, cheesy touristic covers of Zorba. As for the remaining 10%, a replay of this album will make us realise that Rasoulis is irreplaceable. Enjoy.

Further reading: Rasoulis official site: here

Further viewing: A documentary for Rasoulis from the Greek TV archives: here

download link: here (mirrorcreator) or here (rapidshare)

Sunday 13 March 2011

Various - A Tribute to John Barry (@320)

Although in a totally different genre from Gary Moore, John Barry's death was another great loss for music within just a few days; film music is now extremely poorer without him. It is difficult to think of the classic James Bond films without his music and the same applies to Midnight Cowboy, Dances With Wolves to name just a few of the many films for which his music earned them a higher ranking. The home-made compilation uploaded here offers some of his first hits (from 1960) with which he and his group had success in the UK, some of the most characteristic scores from the body of his work including of course most of the great songs he wrote for the Bond films as well as pieces from the three of the four scores for which he won the Oscar. An interesting trivia is that the famous James Bond Theme, although played by John Barry & his Orchestra, officially, it is not a track that Barry composed since the credited composer is Monty Norman.

Tracklisting:
01-John Barry Seven - Hit And Miss (1960)
02-John Barry Seven - Walk Don't Run (1960)
03-John Barry Orchestra - Beat For Beatniks (1960)
04-John Barry Orchestra - The James Bond Theme (1962)
05-Matt Monro - From Russia With Love (1963)
06-John Barry Orchestra - 007 (1963)
07-Shirley Bassey - Goldfinger (1964)
08-Tom Jones - Thunderball (1965)
09-John Barry - The Ipcress File (1965)
10-John Barry - The Knack (1965)
11-John Barry - Wednesday's Child (1966)
12-Matt Monro - Born Free (1966)
13-John Barry - The Girl With The Sun In Her Hair (1967)
14-Nancy Sinatra - You Only Live Twice (1967)
15-John Barry - Midnight Cowboy (1969)
16-Louis Armstrong - We Have All The Time In The World (1969)
17-John Barry - The Persuaders Theme (1971)
18-Shirley Bassey - Diamonds Are Forever (1971)
19-Lulu - The Man With The Golden Gun (1974)
20-Shirley Bassey - Moonraker (1979)
21-John Barry - Out of Africa (I Had A Farm In Africa) (1985)
22-John Barry - The John Dunbar Theme (1990)

download link: here (mirrorcreator) and here (rapidshare)

Thursday 3 March 2011

Gary Moore - Wild Frontier (1987) (@320)














Late as always, this is the post dedicated to Gary Moore, one of the best guitarists of his generation.
I know that some of you will disagree with the selection of Wild Frontier, but as it is one of the first records I bought, I tend to judge it more sentimentally than anything else. Moreover, the beautifully presented Irish-trad influences, apparent throughout the album, make me forgive the other weaknesses. Finally, the dedication "For Philip", seen on the lower right of the rear cover, gives to the album an eerie feeling now that Gary and Phil Lynott jam together.

Real also: Metallica's Kirk Hammett remembers Gary Moore

album info link: here

download link: here (mirrorcreator) and here (rapidshare)

Saturday 12 February 2011

Various - Yalla: Hitlist Egypt (@320)












The Egyptians struggled and managed to get rid of their PM. It's always the same story. No matter how strong an oppressive regime is, the common people, sooner or later, find the strength to oppose it. So, within a short period, after the Tunisians, this is the second successive uprising in the Mediterranean. Hoping the next uprising will soon come from the people of a nation from the northern part of the Mediterranean, we celebrate the Egyptians' victory with an enjoyable compilation of the contemporary music scene of Egypt, released by Mango, a subsidiary of Island records in 1990.

review link: here

download link: here (mirrorcreator) and here (rapidshare)