Wednesday 24 September 2008

Dr. John - Dr. John's Gumbo (1972) (@256)















This is the final upload dedicated to Jerry Wexler. To end the story, if you just sum the diversity of the genres and the quality of the recordings of the uploaded Wexler's productions then you'll have a very good hint of his genius.
As for Gumbo, it's simply a delightful New Orleans r&b (with drops of r'n'r, blues and funk) orgy.




Tracklisting:
A1-Iko Iko
A2-Blow Wind Blow
A3-Big Chief
A4-Somebody Changed The Lock
A5-Mess Around
A6-Let The Good Times Roll
B1-Junko Partner
B2-Stack-A-Lee
B3-Tipitina
B4-Those Lonely Lonely Nights
B5-Huey Smith Medley: High Blood Pressure/ Don't You Just Know It/ Well I'll Be John Brown
B6-Little Liza Jane

album tracks info: here

album review link: here

download link: here  (mirrorcreator) and here (rapidshare)

Tuesday 23 September 2008

Doug Sahm - Doug Sahm And Band (1973) (@256)












Another flawless production by Jerry Wexler (and Arif Mardin). An irresistible 'session' band which includes Bob Dylan and Dr. John. A superb selection of tracks that flow gently like brook's water. Well, what else can you ask for?

album review link (allmusic): here

download link: here

Monday 15 September 2008

Original Cast - The Wiz (1975) (@256)












This is Jerry Wexler's marvellous production for The Wiz, an original cast recording with an all-black cast who retold L. Frank Baum's The Wonderful Wizard of Oz. The musical opened on January 1975, it ran for over 1600 performances and won seven Tony Awards, including Best Musical and Best Original Score for the music and lyrics of Charlie Smalls.

Tracklisting:
A1-Prologue - (Company)
A2-The Feeling We Once Had - Aunt Em (Tasha Thomas)
A3-Tornado - Instrumental
A4-He's The Wizard - Addaperle (Clarice Taylor) & Company
A5-Soon As I Get Home - Dorothy (Stephanie Mills)
A6-I Was Born On The Day Before Yesterday - Scarecrow (Hinton Battle)
A7-Ease On Down The Road - Dorothy, Scarecrow, Tinman (Tiger Haynes), Lion (Ted Ross)
A8-Slide Some Oil To Me - Tinman
A9-I'm A Mean Ole Lion - Lion
B1-Be A Lion - Dorothy, Lion
B2-So You Wanted To See The Wizard - The Wiz (Andre De Shields)
B3-What Would I Do If I Could Feel - Tinman
B4-Don't Nobody Bring Me No Bad News - Evillene (Mabel King)
B5-Everybody Rejoice - Dorothy & Company
B6-Y'All Got It! - The Wiz & Company
B7-If You Believe - Glinda (Dee Dee Bridgewater)
B8-Home (Finale) - Dorothy

album review link (allmusic): here

download link (with inlet & lyric insert): here

Sunday 14 September 2008

Various - Songs produced by Jerry Wexler (@256)

Jerry Wexler, the man who is responsible for a huge part of the evolution of the music in the 20th century left us full of days in August.
His first involvement with the music industry was as a journalist in Billboard, were he coined the term 'rhythm and blues' to replace the narrowed "race music". It was while working for Billboard, when he first met Ahmet Ertegun, co-owner of Atlantic records.After leaving Billboard Wexler went on to work for Atlantic; soon enough he became co-owner replacing Herb Abramson. There, through his totally distinctive production techniques, he managed to transform Ray Charles from a good imitator of Nat 'King' Cole to a leading artist of soul music. Equally, he was the force behind the transformation of Aretha Franklin from the all-around singer of Columbia to the soul icon she deserved to be. Apart from these two giant figures who found their way in the magic hands of Wexler someone should not forget that he is also responsible for names such as Big Joe Turner, Ruth Brown, Professor Longhair, LaVerne Baker, Ivory Joe Hunter, Drifters, Solomon Burke and Wilson Pickett, while the strong relationship of Atlantic with Stax was also his idea. On the verge of the 60's he found himself being producer of the legendary lp "Dusty In Memphis". By then Atlantic had already become the company for which Led Zeppelin would release their music.
Seminal albums produced by Wexler followed during the 70's: The original (entirely black) cast of "The Wiz" (an adaptation of the Wizard of Oz), Dr John's "Gumbo", Willie Nelson's "Shotgun Willie", Doug Sahm's "Doug Sahm and Band" (where among the members of 'The Band' were Bob Dylan and Dr. John), Dire Straits's "Communique" and Bob Dylan's "Slow Train Coming" (the latter two for Warner).

read also:
Jerry Wexler: The Man Who Invented Rhythm & Blues (Rolling Stone)
Twenty tracks for which Jerry Wexler is most proud of (Rolling Stone)
Mojo for Jerry Wexler
Allmusic for Jerry Wexler
An interview of Jerry Wexler to John Petridis for the greek mag Pop & Rock
(back to mono)

For those interested, you can also dig in his autobiography "The Rhythm And The Blues: A Life In American Music”.

This blog's tribute to Wexler will be divided to this present compilation of tracks he produced or co-produced in the 50's and 60's for Atlantic and (in posts to follow) to some of the albums he produced during the 70's.

Tracklisting:
01-Drifters with Clyde McPhatter - Money Honey
02-Ray Charles - I Got A Woman
03-LaVern Baker - Tweedle Dee
04-Chords - Sh-Boom
05-Drifters - Ruby Baby
06-Ruth Brown - Lucky Lips
07-Chuck Willis - It's Too Late
08-Ray Charles - (Night Time Is) The Right Time
09-Clyde McPhatter - A Lover's Question
10-Solomon Burke - If You Need Me
11-Ray Charles - What'd I Say (Parts I & II)
12-Wilson Pickett - Land Of 1000 Dances
13-Solomon Burke - Everybody Needs Somebody To Love
14-Wilson Pickett - In The Midnight Hour
15-Aretha Franklin - (You Make Me Feel Like) A Natural Woman
16-Wilson Pickett - Mustang Sally
17-Aretha Franklin - Chain Of Fools
18-Aretha Franklin - Respect
19-Dusty Springfield - The Windmills Of Your Mind

download link: here (link removed due to a relevant request)

Saturday 6 September 2008

Steve Wynn & Linda Pitmon with Silver & the Hidden Cash


Ok, I'm biased. But how can someone resist to such delightful "hybrid of the Pogues and a Pete Seeger hootenanny" as Steve Wynn defined his one-off (?) backing band Silver & the Hidden Cash at his recent gig in Ioannina, Greece.
But let's better read the whole thing from Mr. Wynn himself.
"I was told that they would be happy to learn some of my songs and back me up for part of my set. I chose some songs that were easy to learn-Carolyn, Kerosene Man and Manhattan Fault Line-and decided to give it a shot. When the band got a hold of The Baseball Project they asked to do a couple of songs off that as well so I tossed in Past Time and Fernando.
Well, the band learned every part and every note and every harmony from each of those songs. It was quite impressive. They even gave me and Linda Greek nicknames for the night to offset their own English nicknames (check out their website - http://www.shc.gr/ -- and you'll see what I'm talking about, although it might be all Greek to you-sorry, couldn't resist). It was a festive night. 1000 people in the Ioannina town square, a bright moon shining down and the show followed by an endless array of squid, tzatziki, grilled meats, wine, beer and other delights, a bacchanalian orgy that went until about 3:30am."

To my biggest regret I couldn't attend (I had to change diapers etc. at the same time while in my holidays) but I feel that most probably I'll have a second chance in the near future.


P.S. @Shc: You are destined to stardom. Κονγκρατσουλέισονς.

Friday 5 September 2008

Crosby, Stills, Nash & Young - Déjà Vu (1970) (@256)
















Although the attempt to define Fleet Foxes' sound is impossible just by naming one or two older groups with a similar sound, after listening to their s/t debut lp I was spontaneously led to remove the dust from my Deja Vu copy and to spin it on my turntable. That was it! I had forgotten the vibes this album can create. I owe one big 'thank you' to the Fleet Foxes who 'forced' me to remember it and another one for releasing such a masterpiece.

album review link (allmusic): here

download link: here (mirrorcreator) and here (rapidshare)

Update: Another two good reasons for uploading this album have emerged. The first one is of course that Deja Vu is among the best lp releases of Atlantic records. The four uploads dedicated to Jerry Wexler that follow this post are all Atlantic's releases. So Deja Vu, although not a Wexler production, could (indirectly) be also part of the posts dedicated to him.
The second one is the release of the movie "CSNY / Déjà Vu" which documents the quartet's 2006 Freedom of Speech tour. The film includes a wealth of information about the Iraq War, and the film's anti-war stance gets as much attention as the group's musical performances.

Back from holidays. What a relief!

Hi. I'm back, carrying my burnt skin, one deaf ear and a heavy cold. I need to go back to work asap. Looking forward for autumn rain, sweat shirts, weekend football (Man. City rules) and non-festival gigs followed by booze.